Propelling the cause of bespoke contemporary design with a focus on workmanship, sustainability and the vernacular with a twist, these 10 architecture and interior design firms from across India should be on your look-out list. Winners of the ID Honours 2023 Award under the category of Emerging Design Firms, their work is equally thoughtful and inspired.
Off Grid House, Delhi, India. Photo by Avesh Gaur
Barn House, Kalesar, Haryana. Photo by Avesh Gaur
UnBox. Design is a Delhi-based design-build practice, founded by architect Aman Issar in 2018. Before setting up his own practice, Issar had worked with the acclaimed Studio Lotus. With a focus on creating authentic living experiences that harmonise with their context, users, and nature, UnBox consciously integrates authentic materials to craft unique spaces. Their current portfolio includes residences as well as hospitality and commercial projects. Their work advocates timeless minimalism, and renders a strong sense of identity and value through their process-driven approach.
CLAY, Hyderabad, Telangana. Photo by Pankaj Anand
Anushree Reddy’s Flagship Store, Hyderabad, Telangana. Photo by Pankaj Anand
Sona Reddy Studio is a Hyderabad-based multidisciplinary design practice that seamlessly integrates contemporary aesthetics and traditional techniques. Established in 2014 by architect Sona Reddy, the studio’s diverse portfolio of projects reflects its design ethos, characterised by meticulous attention to site-specific and environmental factors. What sets Sona Reddy Studio apart is its ingenious use of colour palettes and organic materials, which exude an undeniable air of refined earthiness, celebrating the vernacular in a modern context.
Mud Kothi, Alwar, Rajasthan. Photo by Jeevan Jyot and Bikas Meena
Gol Ghar, Alwar, Rajasthan. Photo by Jeevan Jyot and Bikas Meena
Sketch Design Studio, founded by Shipra Singhania Sanghi in January 2014, is a dynamic design practice in Alwar, Rajasthan. Influenced by Sanghi’s multicultural upbringing, the studio blends diverse sensibilities in its design ethos. Focused on sustainability and cultural revitalization, the studio actively supports and promotes local artisans, reviving archaic art, craft, and construction techniques like building contemporary spaces with a sustainable material like mud.
Afallon, Bangalore, Karnataka
Devadhare, Sakleshpura, Karnataka
Play Architecture is an acclaimed design firm in Bengaluru led by Senthil Kumar Doss, who trained under modernist icons BV Doshi and Dominic Dube. Since its inception in 2005, the firm has continually tested new architectural concepts, exhibiting a modernist approach that balances intuition and method. Their hands-on experimentation methodology incorporates geometry, materials, and a critical regional perspective, resulting in a unique vocabulary of parametric architecture.
Flintstone, Shoolagiri, Tamil Nadu
Flintstone, Shoolagiri, Tamil Nadu
Living up to its name, Mitti is a design practice co-founded by architect Fawaz Thengilan in Kerala that prioritises eco-consciousness. By utilising waste as the primary material and embracing the vernacular as its guiding principle, Mitti advocates for an ecological building methodology. This practice also explores alternative building techniques tailored to the context and environment, embodying sustainability at its core. Mitti has a unique approach towards making sustainable construction cutting-edge, luxurious, and aspirational, challenging the notion that it should be confined to tradition.
Brassa, Bangalore, Karnataka
Peninsula, Bangalore, Karnataka
MAIA Design Studio is an award-winning interior architecture and design practice founded in 2011 by Shruti Jaipuria. Rooted in a belief for constant evolution, the studio draws inspiration from nature, spirituality, mathematics, geometry, materials, texture, and colour to create contemporary designs. With an out-of-the-box design ideology, their projects strive to offer an experiential journey through detailed material explorations.
Take a look at the works of the winners of the ID Honours 2023 here.
Block House, Bangalore, Karnataka
Rural School, Talaricheruvu, Andhra Pradesh
CollectiveProject, founded by Cyrus Patell and Eliza Higgins in 2013, is a Bangalore-based design studio known for its process-driven methodology, which prioritises attention to detail and conceptual vision. Their portfolio spans diverse scales, including objects, interiors, and buildings, and they leverage spatial narratives, landscapes, and materials to create responsive and experiential spaces. Drawing inspiration from culture, environment, and technology, CollectiveProject takes a progressive and fluid approach to its contemporary designs.
Apartment in Tritvam, Kerala
Apartment in Tritvam, Kerala
Cochin Creative Collective, launched in 2016 by Lijo John Mathew and Madhushitha CA, is a design firm that brings a conscious and ethical approach to embracing sustainability. Through the interplay between tradition and modernity, the collective employs graphical representation to drive the iterative process and prioritises adaptive reuse. With expertise spanning product and graphic design, architecture, urban, interior design, landscape, and architectural conservation in Kerala, the collective remains committed to fostering environmentally and socially responsible design solutions, particularly since the Kerala floods.
VazhaiAlai house, Khopoli, Maharashtra
Home amidst the coconut grove, Kelwa, Maharashtra
AKAD (Amritha Karnakar Architectural Design) is a Mumbai-based design firm established by Amritha Karnakar in 2010. Her philosophy—integrating design with the urban fabric—seamlessly blends architecture, landscape, and interior design to create a harmonious connection, blurring the boundaries between inside and outside. Renowned for their designs that harmoniously balance symmetry, elegance, and quirkiness, AKAD embraces the ideology that design is an emotional process meant to evoke a profound response. With a strong commitment to sustainability, AKAD actively practises zero waste principles, advocating for rethinking, reusing, reducing, and recycling.
Viveda Wellness Retreat, Nashik, Maharashtra. Photo by Hemant Patil
Split House, Nashik, Maharashtra. Photo by Hemant Patil
Nashik-based design practice, a for architecture (AFA), stands out with an inclusive and conscious approach to design, prioritising well-being. Established in 2011 by Ajay Sonar and Monali Patil, AFA’s process-driven approach and iterative prototyping is striving to challenge architectural norms. The firm focuses on the use of natural materials and innovative construction techniques in their builds that range from residences to hospitality and healthcare projects.
Story by: Ridhima Sharma
The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”
The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”
The choice of materials and finishes was in keeping with this chromatic landscape. “Through the moodboard we visualized the allure of the space,” explains Pennesi. “An interplay of alternations between more or less tactile surface textures, contrasting colors and opaque and translucent finishes that create intriguing peep-through effects.” This led to the choice of stoneware tiles by Ceramica Sant’Agostino, which deck the floors and bar counter with their dense and uniform speckled pattern and bind together the different areas into which the space is divided, wth laminates from Arpa Industriale and Kaindl, used respectively for the support surfaces and the structures of the bespoke furnishings. “We chose these materials for both aesthetic and functional reasons. Aesthetic because this type of semi-finished product has color ranges that enabled us to make choices consistent with the palette we created; and practical because they are wearproof materials and ensure easy sanitization. In particular, Fenix, a special laminate we used to coat the counter top, with a surface that has a non-porous outer layer, makes the material easy to clean and suitable for contact with food as well as fingerprint-proof and pleasant to the touch.” Even the lighting was curated in detail, helping create a pleasant and richly detailed environment. Bellhop cordless table lamps designed by Barber & Osgerby for Flos, illuminate the tables with their discreet light. Suspended above the bar counter is a spectacular suspension composition created with a series of “leaves” in Diphy polycarbonate. Designed by Mirco Crosatto for Stilnovo, it was inspired by a fascinating Japanese plant, whose flowers turn as transparent as crystal in contact with water.