Skilled Samaritan Foundation is a social enterprise initiated in 2012 by Gauri Gopal Malik that provides income opportunities to hundreds of women from rural communities in the Muzaffarnagar district. Starting with just one woman in a region where women are discouraged from work, the foundation now has a network of 102 incredible women from three villages who have broken cultural barriers to using their existing skill sets to hand-make home, fashion, and lifestyle products. They employ the charpai-style of weaving with ropes made of industrial plastic packaging waste, textile waste, and recycled cotton locally generated in the region to craft functional objects that they hope will make people slow down and reminisce about the simplicity of the past while slowly composing the story of their futures.
The foundation identifies and supports women’s communities who have unique and undiscovered craftsman skills but were never “artisans” and works closely with them to create marketable products. As more women approached them for income and training opportunities, the organisation also aimed to set up a Skill Lab (Common Facility Centre) in the proximity of five villages, where each lab could house almost 350 women who could work in a clean and safe environment close to their homes. With 235 villages in Muzaffarnagar District, they have the potential to create income opportunities for over one million employable women, and that is just the beginning!
Skilled Samaritan also provides training, workshop facilities, and designs from in-house designers to develop high-quality premium home décor and fashion accessories that are marketed to an urban and global audience using online and offline sales channels. Most of these products are made from waste or salvaged textiles and multi-layer industrial packaging waste, so they are sustainable, thereby encouraging responsible production and consumption patterns and also strongly contributing to a circular economy. The organisation also collaborates on creating installations for various exhibitions, bespoke orders, and brand partnerships. They were also finalists at Lakme Fashion Week’s “Circular Design Challenge,” for which they created a luxe collection of functional macramé bags made from textile and food packaging waste.
The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”
The link between the two main areas, the one closest to the entryway with the bar counter and lounge and the one at the rear reserved for aesthetic treatments, is a decorative feature with a great scenic impact: a series of deep blue glass portals guides the gaze towards the beauty area, giving the space perspective depth and a theatrical feel. This liminal space also houses the boutique and the facial bar, functions that will cater for a passing public and have faster times than the more complex treatments, as well as delineating the perimeter of the two lounges. “The management of flows and technical spaces,” the architects tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.” cts tell us, “was especially complex. The brief for both Ballard & Fant’s identities were quite specific and binding, so the phases of the choice of space and the layouts of the areas were the most challenging points in the whole project.”
The choice of materials and finishes was in keeping with this chromatic landscape. “Through the moodboard we visualized the allure of the space,” explains Pennesi. “An interplay of alternations between more or less tactile surface textures, contrasting colors and opaque and translucent finishes that create intriguing peep-through effects.” This led to the choice of stoneware tiles by Ceramica Sant’Agostino, which deck the floors and bar counter with their dense and uniform speckled pattern and bind together the different areas into which the space is divided, wth laminates from Arpa Industriale and Kaindl, used respectively for the support surfaces and the structures of the bespoke furnishings. “We chose these materials for both aesthetic and functional reasons. Aesthetic because this type of semi-finished product has color ranges that enabled us to make choices consistent with the palette we created; and practical because they are wearproof materials and ensure easy sanitization. In particular, Fenix, a special laminate we used to coat the counter top, with a surface that has a non-porous outer layer, makes the material easy to clean and suitable for contact with food as well as fingerprint-proof and pleasant to the touch.” Even the lighting was curated in detail, helping create a pleasant and richly detailed environment. Bellhop cordless table lamps designed by Barber & Osgerby for Flos, illuminate the tables with their discreet light. Suspended above the bar counter is a spectacular suspension composition created with a series of “leaves” in Diphy polycarbonate. Designed by Mirco Crosatto for Stilnovo, it was inspired by a fascinating Japanese plant, whose flowers turn as transparent as crystal in contact with water.